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Apart from the individual stories, the series captures what it’s like to have a place you like to eat and things you like to eat there. Some episodes end with a brief demonstration of the episode’s signature dish - never anything fancy but obviously magically delicious. Food matters - we see it prepared, we watch it eaten, we hear it talked about sometimes it plays an integral role in the story we are seeing.
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Kaoru Kobayashi plays the taciturn proprietor, chef and everything else, called only the Master an unexplained scar runs down the left side of his face, but he has the pacific solidity of a 20th century movie hero. Set in and around a compact backstreet Tokyo eatery, open from midnight to 7 a.m., where night owls from all walks of life occupy its U-shaped counter, “Midnight Diner” (Netflix) offers short stories that tend to the bittersweet, but with sweetness most prominent. Submissions should be no longer than 200 words and are subject to editing for length and clarity. (And one, Ricky Gervais’ “SuperNature,” to avoid like the plague.) In other words, plenty to watch after you fill up on hot dogs and hamburgers at the barbecue this weekend.Īnd, as always, we’re looking for reader picks: Send your TV or streaming movie recommendations to with your name and location. Altogether, from the films of Ray Liotta to our critics’ picks, this week’s Screen Gab contains more than 20 films and TV shows to check out. 37, we break out the tissues with Jane Fonda and Lily Tomlin of “Grace & Frankie,” sing the praises of “The Real World Homecoming: New Orleans” and much more. “The brilliance of ‘Stranger Things 4,’” she notes, “is that rather than gloss over the unpleasantry, it leans hard into ’ clumsy, painful transition.”Īlso in Screen Gab no. Welcome to Screen Gab, the newsletter for everyone who understands being turned Upside Down by your high-school years.Īs television critic Lorraine Ali writes of “Stranger Things 4,” premiering Friday on Netflix, the sci-fi/horror blockbuster continues to surprise viewers, this time by trading in 1980s nostalgia for a more unflinching look at the terrors of adolescence.